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the long hair of death stereolab

Boiling three decades of albums, compilations, EPs, splits, and singles down to a mere 10 songs was rough, and it’s entirely possible that if I started writing this feature next month, I’d be tackling a different 10 songs. Whisper Pitch 2006 Rose, My Rocket-Brain! For information, please read our cookies policy. In December 2002, Stereolab vocalist/guitarist Hansen was killed in London when a motorist struck her while she was riding her bicycle. Here, the Groop goes in for a jittery jolt of electro-reggae — or something near enough to that vein — as the unbreakable fist of Sadier/Hansen gamely boil the truth of geo-political unrest down to piddling schoolyard bullshit. The melodic steel here is such that the song’s disinterest in escaping the bounds of mid-tempo is much more plus than minus, with Sadier’s late-innings octave leap serving as the climax “Five” earns but almost doesn’t need. Given that the Groop’s final masterpiece felt inspired by jazz, melancholia, psychedelia, and late 20th-century European cinema, the emergence of a straight-up banger seemed unlikely. For good or ill, no two releases sounded quite the same, but everything was recognizable as uniquely Stereolab — a heady, hyper-real brew born of too many hours spent dicking around in studios by their lonesome or with varying degrees of input from members of Mouse On Mars, Tortoise, and High Llamas. Her beautiful older daughter knows the real reason for the execution lies in the lord's sexual desire for her mother. It should be noted that the Switched On compilations, where stray splits, EPs, and singles were collected, are an embarrassment of riches in terms of oddities and left turns like “Death” — which feels tailor-made for a Scooby-Doo episode where the gang mistakes brown acid for Scooby Snacks. Yet there “Op Hop Detonation” was, nonetheless: surging brass, wild-out effects, and head-spinning Sadier/Hansen mic-pass glamour, all of it floating in seltzer water. The bonus? At almost 18 minutes in length, “Refractions In The Plastic Pulse” sums and simmers its parent album’s competing impulses in an epic apex. Singles. Everything about this song is playfully calibrated for maximum wow: the vocal lines enveloping one another like mutant kudzu, the killer wasp tickle of effects pedals, the strings a-swooping just so. All zapping static, self-cannibalizing effects, and klonking bongos, “Les Yper-Sound” is so eminently re-playable that it’s difficult not to blow off the rest of Emperor Tomato Ketchup to lose yourself in a Moebuis strip loop. My D-UHF-D20 has a textured sleeve with blue, clear, and orange vinyl lp's with a gold-flecked vinyl 7" in a plain white sleeve included. The bouncy “Transona Five” nails this approach, a wonder of sweet’n’sour clang chords that drift around in the mix’s viscous mucous membrane. The unabashedly personal “…Sudden Stars” is both send-off and standout, a deft, percolating microcosm of the band’s varied strengths more affecting than anything else in its considerable arsenal. Company Registration Number: 11793693. This is garage punk as power-pop, unimpeachable nyah-nyah-nyah, a paean to unbridled id and flouted manes. After confronting the lord on the matter, she, too, is killed. “The Long Hair Of Death” (from a split single with Yo La Tengo, 1995, and Aluminum Tunes: Switched On 3, 1998). I picked up a sealed copy and there are no issues at all. For information about cookies that are required for this website to operate correctly, please read our cookies policy. I always think of “Cybele’s Reverie” as fairytale Stereolab, one of the Groop’s fanciful stabs at a pop Disney fable (see also Mars Audaic Quintet’s woozy “International Colouring Contest”). With Barbara Steele, George Ardisson, Halina Zalewska, Umberto Raho. This site uses cookies. I can’t hear Sadier sing, “So if you must go, go/ The wind will take you, it will lift you/ Across the ocean,” without being overtaken by chills. Turning off will mean that your IP address is not sent to Google. Open Mike Eagle – Anime Trauma And Divorce, Sturgill Simpson – Cuttin’ Grass Vol. Dots & Loops and Cobra Group And Phases Play Voltage In The Milky Night were strident album albums that struck distinct moods and lost some of their impact in places. Somewhat similar to the Japanese box. Early 1990s Stereolab was largely noisy, raging, and monochromatic, with few or no individual songs calling much attention to themselves for non-diehard fans. In the mid-1990s, Mars Audiac Quintet and Emperor Tomato Ketchup would feature a Groop simultaneously flirting with poptimism and rockism — the pipe dream of most bands, if they’re honest with themselves — in a scenario where every song killed even as each album succeeded as a group of songs. 2005 Free Witch And No-Bra Queen 2001 The In Sound 1999 Iron Man 1997 Noises 1993 The Long Hair Of Death

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